Suchergebnisse

Merrill, J.; Bangert, M.; Sammler, D.; Friederici, A. D.: Classifying song and speech: Effects of focal temporal lesions and musical disorder. Neurocase 22 (6), S. 496 - 504 (2016)

Engel, A.; Hijmans, B. S.; Cerliani, L.; Bangert, M.; Nanetti, L.; Keller, P. E.; Keysers, C.: Inter-individual differences in audio-motor learning of piano melodies and white matter fiber tract architecture. Human Brain Mapping 35 (5), S. 2483 - 2497 (2014)

Engel, A.; Bangert, M.; Horbank, D.; Hijmans, B. S.; Wilkens, K.; Keller, P. E.; Keysers, C.: Learning piano melodies in visuo-motor or audiomotor training conditions and the neural correlates of their cross-modal transfer. NeuroImage 63 (2), S. 966 - 978 (2012)

Merrill, J.; Sammler, D.; Bangert, M.; Goldhahn, D.; Lohmann, G.; Turner, R.; Friederici, A. D.: Perception of words and pitch patterns in song and speech. Frontiers in Psychology 3, 76 (2012)

Ruiz, M. H.; Senghaas, P.; Grossbach, M.; Jabusch, H.-C.; Bangert, M.; Hummel, F.; Gerloff, C.; Altenmüller, E.: Defective inhibition and inter-regional phase synchronization in pianists with musician's dystonia: An EEG study. Human Brain Mapping 30 (8), S. 2689 - 2700 (2009)

Bangert, M.; Häusler, U.; Jürgens, U.; Altenmüller, E.: Classical conditioned responses to absent tones. BMC Neuroscience 7 (1), S. 60 (2006)

Bangert, M.; Schlaug, G.: Specialization of the specialized in features of external human brain morphology. European Journal of Neuroscience 24 (6), S. 1832 - 1834 (2006)

Schröder, C.; Möbes, J.; Schütze, M.; Szymanowski, F.; Nager, W.; Bangert, M.; Münte, T.; Dengler, R.: Perception of emotional speech in Parkinson’s disease. Movement Disorders 21 (10), S. 1774 - 1778 (2006)

Bangert, M.; Peschel, T.; Rotte, M.; Drescher, D.; Hinrichs, H.; Schlaug, G.; Heinze, H.-J.; Altenmüller, E.: Shared networks for auditory and motor processing in professional pianists: Evidence from fMRI conjunction. NeuroImage 30 (3), S. 917 - 926 (2005)

Bangert, M.; Altenmüller, E.; Peschel, T.; Rotte, M.; Drescher, D.; Hinrichs, H.; Heinze, H.-J.: Piano-training induces audio-sensorymotor coupling in the cerebral cortex: An EEG and fMRI Study. Aktuelle Neurologie 31 (S1), S. 163 (2004)

Bangert, M.; Altenmüller, E.: Apollos Gabe und Fluch – funktionelle und dysfunktionelle Plastizität bei Musikern. Neuroforum 2, S. 36 - 49 (2003)

Bangert, M.; Altenmüller, E.: Funktionelle und Dysfunktionelle Plastizität bei Musikern. Musikphysiologie und Musikermedizin 10, S. 131 - 148 (2003)

Bangert, M.; Altenmüller, E.: Mapping Perception to Action in Piano Practice: a Longitudinal DC-EEG Study. BMC Neuroscience 4, S. 26 (2003)

Kuck, H.; Grossbach, M.; Bangert, M.; Altenmüller, E.: Brain processing of Meter and Rhythm in music: Electrophysiological evidence for a common network. Ann N y Acad Sci 999, S. 244 - 53 (2003)

Kopiez, R.; Bangert, M.; Goebl, W.; Altenmüller, E.: Tempo and loudness analysis of a continuous 28-hour performance of Erik Satie’s composition ‚Vexations’. J New Music Res 32 (3), S. 243 - 268 (2002)

Bangert, M.; Häusler, U.; Altenmüller, E.: On Practice: How the Brain Connects Piano Keys and Piano Sounds. Ann NY Acad Sci 930, S. 425 - 429 (2001)

Grossbach, M.; Kuck, H.; Bangert, M.; Altenmüller, E.: Cortical Representations of Temporal Structures in Music. Ann NY Acad Sci 930, S. 418 - 420. (2001)

Altenmüller, E.; Bangert, M.: Die Hand im Ohr, das Ohr in der Hand. Wie auditorische und sensomotorische Hirnfunktionen beim Klavierlernen verschmelzen. Piano-News 4, S. 36 - 39 (2000)

Altenmüller, E.; Bangert, M.; Liebert, G.; Gruhn, W.: Mozart in Us: How the Brain processes Music. Medical Problems of Performing Artists 15, S. 99 - 106 (2000)

Bangert, M.; Parlitz, D.; Altenmüller, E.: An Interface for Complex Auditory-Sensorimotor Integration: Where the Pianist’s Cortex Maps Perception To Action. NeuroImage 9 (6, Pt 2), S. 419 (1999)