Publikationen von Peter E. Keller

Zeitschriftenartikel (79)

2013
Zeitschriftenartikel
Hove, M. J.; Fairhurst, M. T.; Kotz, S. A.; Keller, P. E.: Synchronizing with auditory and visual rhythms: An fMRI assessment of modality differences and modality appropriateness. NeuroImage 67, S. 313 - 321 (2013)
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Repp, B. H.; London, J.; Keller, P. E.: Systematic distortions in musicians' reproduction of cyclic three-interval rhythms. Music Perception 30 (3), S. 291 - 305 (2013)
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Schultz, B. G.; Stevens, C. J.; Keller, P. E.; Tillmann, B.: The implicit learning of metrical and nonmetrical temporal patterns. The Quarterly Journal of Experimental Psychology 66 (2), S. 360 - 380 (2013)
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Fairhurst, M. T.; Janata, P.; Keller, P. E.: Being and feeling in sync with an adaptive virtual partner: Brain mechanisms underlying dynamic cooperativity. Cerebral Cortex 23 (11), S. 2592 - 2600 (2013)
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Stevens, C. J.; Keller, P. E.; Tyler, M. D.: Tonal language background and detecting pitch contour in spoken and musical items. Psychology of Music 41 (1), S. 59 - 74 (2013)
2012
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Novembre, G.; Ticini, L. F.; Schütz-Bosbach, S.; Keller, P. E.: Distinguishing self and other in joint action: Evidence from a musical paradigm. Cerebral Cortex 22 (12), S. 2894 - 2903 (2012)
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Repp, B. H.; London, J.; Keller, P. E.: Distortions in reproduction of two-interval rhythms: When the "attractor ratio" is not exactly 1:2. Music Perception 30 (2), S. 205 - 223 (2012)
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Wöllner, C.; Deconinck, F. J. A.; Parkinson, J.; Hove, M. J.; Keller, P. E.: The perception of prototypical motion: Synchronization is enhanced with quantitatively morphed gestures of musical conductors. Journal of Experimental Psychology: Human Perception and Performance 38 (6), S. 1390 - 1403 (2012)
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Engel, A.; Bangert, M.; Horbank, D.; Hijmans, B. S.; Wilkens, K.; Keller, P. E.; Keysers, C.: Learning piano melodies in visuo-motor or audiomotor training conditions and the neural correlates of their cross-modal transfer. NeuroImage 63 (2), S. 966 - 978 (2012)
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Sevdalis, V.; Keller, P. E.: Perceiving bodies in motion: Expression intensity, empathy, and experience. Experimental Brain Research 222 (4), S. 447 - 453 (2012)
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Keller, P. E.: Mental imagery in music performance. Annals of the New York Academy of Sciences 1252, S. 206 - 213 (2012)
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Phillips-Silver, J.; Keller, P. E.: Searching for roots of entrainment and joint action in early musical interactions. Frontiers in Human Neuroscience 6, 26 (2012)
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Repp, B. H.; Keller, P. E.; Jacoby, N.: Quantifying phase correction in sensorimotor synchronization: Empirical comparison of three paradigms. Acta Psychologica 139 (2), S. 281 - 290 (2012)
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Keller, P. E.: Rhythm and time in music epitomize the temporal dynamics of human communicative behavior: The broad implications of London's trinity. Empirical Musicology Review 7 (1-2), S. 17 - 27 (2012)
2011
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Novembre, G.; Keller, P. E.: A grammar of action generates predictions in skilled musicians. Consciousness and Cognition 20 (4), S. 1232 - 1243 (2011)
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Sevdalis, V.; Keller, P. E.: Captured by motion: Dance, action understanding, and social cognition. Brain and Cognition 77 (2), S. 231 - 236 (2011)
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Sevdalis, V.; Keller, P. E.: Perceiving performer identity and intended expression intensity in point-light displays of dance. Psychological Research 75 (5), S. 423 - 434 (2011)
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Hach, S.; Ishihara, M.; Keller, P. E.; Schütz-Bosbach, S.: Hard and fast rules about the body: Contributions of the action stream to judging body space. Experimental Brain Research 212 (4), S. 563 - 574 (2011)
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Keller, P. E.; Schubert, E.: Cognitive and affective judgements of syncopated musical themes. Advances in Cognitive Psychology 7 (7), S. 142 - 156 (2011)
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Pecenka, N.; Keller, P. E.: The role of temporal prediction abilities in interpersonal sensorimotor synchronization. Experimental Brain Research 211 (3-4), S. 505 - 515 (2011)
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