Publications of Marc Bangert
All genres
Journal Article (22)
1999
Journal Article
1999(2), 6.Jg, pp. 53 - 60 (1999)
Wie auditorische und sensomotorische Hirnfunktionen beim Klavierlernen verschmelzen. Eine Untersuchung von Großhirnaktivierungsmustern. Musikphysiologie und Musikermedizin 1998
Journal Article
115 (1-2), pp. 27 - 38 (1998)
Stimulus transmission in the auditory receptor organs of the foreleg of bushcrickets (Tettigoniidae) I. The role of the tympana. Hearing Research Book Chapter (5)
2007
Book Chapter
Neural correlates of music learning and understanding. In: Neurosciences in music pedagogy, pp. 101 - 120 (Eds. Gruhn, W.; Rauscher, F.). Nova Science Publishers, ORT (2007)
2006
Book Chapter
Brain activation during piano playing. In: Music, motor control, and the brain, pp. 173 - 188 (Ed. Altenmueller, E.). Oxford University Press, Oxford (2006)
2002
Book Chapter
The Auditory-Vibratory Sensory System in Bushcrickets (Tettigoniidae, Ensifera, Orthoptera). I.Comparison of Morphology, Development and Physiology. In: Environmental Signal Processing and Adaptation, pp. 169 - 208 (Eds. Heldmaier, G.; Werner, D.). Springer, Berlin (2002)
2001
Book Chapter
Cortical Representations of Temporal Structures in Music. In: The Biological Foundations of Music. Annals of the New York Academy of Sciences, pp. 418 - 420 (Eds. Zatorre, J.; Peretz, I.) (2001)
2000
Book Chapter
Müller, K.; Aschersleben, G.). Huber, Bern (2000)
Neuronale Grundlagen der Verarbeitung musikalischer Zeitstrukturen. In: Rhythmus. Ein interdisziplinäres Handbuch, pp. 59 - 78 (Eds. Meeting Abstract (13)
2006
Meeting Abstract
Supplement, p. 20. (2006)
Motor cortex anatomy of musicials: Special on a macroscopic scale. In Journal of Cognitive Neuroscience, 2005
Meeting Abstract
32 (S4), p. P350. (2005)
Anwendbarkeit ereigniskorrelierter Potentiale (EKP) zur Untersuchung neuronaler Plastizität nach Cochlea-Implantat-Versorgung. In Aktuelle Neurologie, 2001
Meeting Abstract
Mapping perception to action in piano practice: Evidence for an anterior right audio-motor interface. In Göttingen Neurobiology Report 2001, p. 624. Thieme, Stuttgart, New York (2001)
Meeting Abstract
How to get a piano in your head – effects of practice on cortical and subcortical representations of the sounding keyboard. In Proceedings of the Sixth International Conference on Music Perception and Cognition. (2001)
Meeting Abstract
On practice: How the brain connects piano keys and piano sounds. In The Biological Foundations of Music. Annals of the New York Academy of Sciences, pp. 425 - 429. (2001)
Meeting Abstract
Performance: Rhythm and metre across modalities. In Proceedings of the Sixth International Conference on Music Perception and Cognition. (2001)
Meeting Abstract
Rhythm and metre. Two dissociated mental representations of temporal structure in music? In Proceedings of the Sixth International Conference on Music Perception and Cognition. (2001)
1999
Meeting Abstract
An interface for complex auditory-sensorimotor integration: Where the pianist’s cortex maps perception to action. In NeuroImage, p. 419. (1999)
Meeting Abstract
Latenzen audiomotorischer Tonhöhenkorrekturen von Sängern, Posaunisten und Bratschisten. In Experimentelle Psychologie. 41. Tagung experimentell arbeitender Psychologen, p. 177. Pabst Science Publishers, Lengerich (1999)
Meeting Abstract
ACUSTICA - acta acustica, p. 372. (1999)
Short and medium motor responses to auditory pitch shift: Latency measurements of the professional musician's audio-motor loop for intonation. In Joint Meeting ASA/EAA/DEGA Berlin '99, 1998
Meeting Abstract
Audio-motor integration in beginner and expert pianists: a combined DC-EEG and behavioural study. In The Göttingen Neurobiology Report, p. 753. Thieme, Stuttgart (1998)
Meeting Abstract
Auditiv-Sensomotorische Integration beim Erlernen des Klavierspiels: eine Untersuchung kortikaler Aktivierungsmuster bei Anfängern und Fortgeschrittenen. In Experimentelle Psychologie. 40. Tagung experimentell arbeitender Psychologen, p. 9. Pabst Science Publishers, Lengerich (1998)
Meeting Abstract
Cortical audio-motor corepresentation in piano learning and expert piano performance. In Abstracts / Society for Neuroscience, p. 658. (1998)