Publications of Vassilis Sevdalis

Sevdalis, V.; Keller, P. E.: Perceiving bodies in motion: Expression intensity, empathy, and experience. Experimental Brain Research 222 (4), pp. 447 - 453 (2012)

Sevdalis, V.; Keller, P. E.: Captured by motion: Dance, action understanding, and social cognition. Brain and Cognition 77 (2), pp. 231 - 236 (2011)

Sevdalis, V.; Keller, P. E.: Perceiving performer identity and intended expression intensity in point-light displays of dance. Psychological Research 75 (5), pp. 423 - 434 (2011)

Sevdalis, V.; Keller, P. E.: Cues for self-recognition in point-light displays of actions performed in synchrony with music. Consciousness and Cognition 19 (2), pp. 617 - 626 (2010)

Sevdalis, V.; Keller, P. E.: Self-recognition in the perception of actions performed in synchrony with music. Conference on the Neurosciences and Music III, McGill University, Montreal, QC, Canada, June 25, 2008 - June 28, 2008. Annals of the New York Academy of Sciences 1169, pp. 499 - 502 (2009)

Sevdalis, V.; Keller, P. E.: Self-other distinction in the perception of actions performed in synchrony with music. In 13th Annual Meeting of the Association for the Scientifi c Study of Consciousness, pp. 251 - 252. Humbolt-Universität zu Berlin, Germany (2009)

Sevdalis, V.; Keller, P. E.: Who did that? The role of visual, auditory and motor cues in action perception. In 7th Triennial Conference of the European Society for the Cognitive Sciences of Music (ESCOM), p. 57. University of Jyväskylä, Finland (2009)

Sevdalis, V.; Keller, P. E.: I act, hear and see, but is it really me? Cross-modal effects in the perception of biological motion. In 9th International Multisensory Research Forum, p. 162. University of Hamburg, Germany (2008)

Sevdalis, V.; Keller, P. E.: I act, hear and see, but is it really me? Cross-modal effects in the perception of biological motion. In 9th International Multisensory Research Forum, p. 162. University of Hamburg, Germany (2008)

Sevdalis, V.; Keller, P. E.: I act, hear and see, but is it really me? Cross-modal effects in the perception of biological motion. In Dance, Timing and Musical Gesture, pp. 33 - 34. University of Edinburgh, UK (2008)

Kaiser, R.; Sevdalis, V.; Keller, P. E.: Age-related differences in the perception of expressive movements in point-light displays of dancers. 35th European Conference on Visual Perception, Alghero, Italy (2012)

Sevdalis, V.; Keller, P. E.: Perceiving performer identity and intention in point-light displays of dance. New Perspectives on Joint Action and Task Sharing Workshop, Leipzig, Germany (2010)

Sevdalis, V.; Keller, P. E.: Perceiving bodies in motion: Expression intensity, empathy, and experience. 5th International Society for Gesture Studies Congress, Lund University, Sweden (2012)

Sevdalis, V.; Keller, P. E.: Captured by motion: Dance, action understanding, and social cognition. Joint Action Meeting IV, Vienna, Austria (2011)

Sevdalis, V.; Keller, P. E.: Captured by motion: Dance, action understanding, and social cognition. 34th European Conference on Visual Perception, Toulouse, France (2011)

Sevdalis, V.; Keller, P. E.: Perceiving performer identity and intention in point-light displays of dance. The Embodied Mind: Perspectives and Limitations, Nijmegen, the Netherlands (2010)

Sevdalis, V.; Keller, P. E.: Perceiving performer identity and intention in point-light displays of dance. Kinesthetic Empathy: Concepts and Contexts, Watching Dance Project, Manchester, United Kingdom (2010)

Sevdalis, V.; Keller, P. E.: Perceiving performer identity and intention in point-light displays of dance. Meeting of the European Society for Philosophy and Psychology, Bochum and Essen, Germany (2010)

Sevdalis, V.; Keller, P. E.: Self-Other Distinction in the Perception of Actions Performed in Synchrony with Music. 13th Annual Meeting of the Association for the Scientific Study of Consciousness (ASSC XIII), Berlin, Germany (2009)

Sevdalis, V.; Keller, P. E.: Who did that? The role of visual, auditory and motor cues in action perception. 7th Triennial Conference of the European Society for the Cognitive Sciences of Music (ESCOM), Jyväskylä, Finland (2009)